Lulù Nuti
Lulù Nuti’s multi-disciplinary approach is based on the use of materials as vectors of a different sensibility and language. Questioning our relationship with space, nature and the environment, her works reflect the feelings of powerlessness and responsibility of our time. In her quest for hybridity and contrasts, the artist combines plaster, concrete and metal with natural elements, forcing materials to coexist in an organic whole. In this way, her works contain multiple and contradictory interactions, between fragility and resistance, rupture and solidity, presence and effacement.
After graduating from the Ecole Nationale Supérieure des Beaux Arts de Paris in 2012, Lulù Nuti has exhibited in Italy and abroad in public and private institutions including Fondazione Pescheria, Pesaro, IT (2024); Fondazione Nicola del Roscio, Rome (2023); Gubbio Biennial, Italy; Palazzo Collicola, Spoleto, Italy; Musée des Beaux Arts d’Angers, France; British School at Rome (2023); Parco Archerologico dell’Appia Antica, Rome; Palazzo Marescalchi Belli, Rome (2022); Postmasters Rome (2020); Italian Cultural Center, New-Delhi, India (2019); La Panacée (MFW, MO.CO., Montpellier, 2018); Cité Internationale des Arts, Paris, FR (2014); Museo CAMUSAC (Rilevamenti 2, Cassino, 2020); Biwako Biennale (Fairy Tale, Japan, 2012) and in private galleries including Galleria Alessandra Bonomo (Part 1, Rome, 2017); Galerie Italienne (La Musée, Paris, 2020); Renata Fabbri (SOTTO, Milano, 2022). In 2022 her sculpture Too much heat, nothing to eat travels around the world ( IIC New-York, USA; IIC Seoul, Corea; Changijang Museum of Contemporary Art, China ) with We Love Art, vision and creativity Made in Italy, a project promoted by Italian Ministry of Foreign Affairs and CDP, curated by Ludovico Pratesi and Marco Bassan.
Solo shows include the site-specific exhibition Sistema at archeological site Case Romane del Celio (Rome, 2015) and Calcare il Mondo at Galerie Chloé Salgado (Paris, 2018). In 2018 she founded the artistic duo LU.PA together with Pamela Pintus, an artistic identity that operates through performance actions and site-specific works.
Lulù Nuti’s multi-disciplinary approach is based on the use of materials as vectors of a different sensibility and language. Questioning our relationship with space, nature and the environment, her works reflect the feelings of powerlessness and responsibility of our time. In her quest for hybridity and contrasts, the artist combines plaster, concrete and metal with natural elements, forcing materials to coexist in an organic whole. In this way, her works contain multiple and contradictory interactions, between fragility and resistance, rupture and solidity, presence and effacement.
After graduating from the Ecole Nationale Supérieure des Beaux Arts de Paris in 2012, Lulù Nuti has exhibited in Italy and abroad in public and private institutions including Fondazione Pescheria, Pesaro, IT (2024); Fondazione Nicola del Roscio, Rome (2023); Gubbio Biennial, Italy; Palazzo Collicola, Spoleto, Italy; Musée des Beaux Arts d’Angers, France; British School at Rome (2023); Parco Archerologico dell’Appia Antica, Rome; Palazzo Marescalchi Belli, Rome (2022); Postmasters Rome (2020); Italian Cultural Center, New-Delhi, India (2019); La Panacée (MFW, MO.CO., Montpellier, 2018); Cité Internationale des Arts, Paris, FR (2014); Museo CAMUSAC (Rilevamenti 2, Cassino, 2020); Biwako Biennale (Fairy Tale, Japan, 2012) and in private galleries including Galleria Alessandra Bonomo (Part 1, Rome, 2017); Galerie Italienne (La Musée, Paris, 2020); Renata Fabbri (SOTTO, Milano, 2022). In 2022 her sculpture Too much heat, nothing to eat travels around the world ( IIC New-York, USA; IIC Seoul, Corea; Changijang Museum of Contemporary Art, China ) with We Love Art, vision and creativity Made in Italy, a project promoted by Italian Ministry of Foreign Affairs and CDP, curated by Ludovico Pratesi and Marco Bassan.
Solo shows include the site-specific exhibition Sistema at archeological site Case Romane del Celio (Rome, 2015) and Calcare il Mondo at Galerie Chloé Salgado (Paris, 2018). In 2018 she founded the artistic duo LU.PA together with Pamela Pintus, an artistic identity that operates through performance actions and site-specific works.
Lulù Nuti, Sans horizon, 2021Forged copper, variable dimensions, 107,5x140 cm.
Exhibited at Premio CONAI, Spazio Taverna, Rome, 2022.
Lulù Nuti, Blues, 2022Tile plaster, pigments, charcoal and pastel on paper mounted on copper, 74x20x41 cm
Lulù Nuti, Mouler le monde en sept parties (rouge), 2021Tile plaster, pigments, metal, 74x600 cm. Exhibition view of Windows, group show at Academy of San Nicolo’, Spoleto. Curated by Teodora di Robilant in collaboration with Galleria Alessandra Bonomo. Ph. Eleonora Cerri Pecorella
Lulù Nuti, Too much heat, nothing to eat, 2021Forged iron, 195x196x140 cm. Courtesy CDP. Ph. Eleonora Cerri Pecorella
Lulù Nuti, Fin dove si stende la vista, qui regna l’attimo, 2022Sunfower casted in bronze, motor, ai, 170x40x15 cm (night view). Art Crossing, riattivare il genius Loci, curated by Spazio Taverna. Ph. Giuliano Del Gatto.
Lulù Nuti, Titolo sospeso (radicanti), 2022Plane trees leafs, copper, industrial iron tubes, 6 elements, 350x4 cm (detail). Ph. Alessandro Vasari
Lulù Nuti, Titolo sospeso (radicanti), 2022Plane trees leafs, copper, industrial iron tubes,
6 elements, 350x4 cm. Exhibition view of Ante Operam, Piano Bi Arte Contemporanea at Palazzo Marescalchi Belli, Rome. Ph. Eleonora Cerri Pecorella
Lulù Nuti, DIVISO 4, 2019Concrete, pigments, 22,5x45,5x22,5 cm (each). Ph. Alessandro Vasari
Lulù Nuti, Le plein de mes murs est le vide de leur terre, 2020Leftovers from Calcare il mondo, drawing mounted on copper, 2020-2023
Lulù Nuti, Le plein de mes murs est le vide de leur terre, 2020Leftovers from Calcare il mondo, drawing mounted on copper, 2020-2023
Lulù Nuti, Le plein de mes murs est le vide de leur terre, 2020Leftovers from Calcare il mondo, drawing mounted on copper, 2020-2023
Lulù Nuti, Le plein de mes murs est le vide de leur terre, 2020Leftovers from Calcare il mondo, drawing mounted on copper, 2020-2023
Lulù Nuti, Autoproduction, 2021Plaster, concrete, tile adhesive, polyurethane foam, metal, paper 20,5x21x100 cm. View from Terrain Amère, solo show at Galerie Chloé Salgado, Paris. Ph. Gregory Copitet
- Jeanine Brito,
- Linda Carrara,
- Lulù Nuti
- Lulù Nuti
Palazzo Collicola, Spoleto (PG), Italy
June 28 – September 20, 2024
Curated by Spazio Taverna
- Lulù Nuti
Casa Cipriani Milano
May 23 – October 26, 2024
Curated by Damiana Leoni and Chiara Conte
- Lulù Nuti
June 22–September 29, 2024
Promoted by Fondazione Elpis
È tutto vero, a project by Lulù Nuti
Curated by ALTROVE – Ehab Halabi Abo Kher
Opening Sunday June 23, 5pm
Corso Pietro Lazzaro, 4
otta Filocastro – fraz. Limbadi (VV), Calabria
- Lulù Nuti
Accademia Nazionale di San Luca, Rome
April 9 – June 28, 2024
From an idea by Marco Tirelli, with scientific coordination by Massimo Mininni and Barbara Reggio
